Shirish Agarwal: Ayisha, Manju Warrier, Debutsav, Books
But I m drifting from the topic/movie. 
Welcome to the May 2023 report from the Reproducible Builds project
In our reports, we outline the most important things that we have been up to over the past month. As always, if you are interested in contributing to the project, please visit our Contribute page on our website.
Holger Levsen gave a talk at the 2023 edition of the Debian Reunion Hamburg, a semi-informal meetup of Debian-related people in northern Germany. The slides are available online.
In April, Holger Levsen gave a talk at foss-north 2023 titled Reproducible Builds, the first ten years. Last month, however, Holger s talk was covered in a round-up of the conference on the Free Software Foundation Europe (FSFE) blog.
Pronnoy Goswami, Saksham Gupta, Zhiyuan Li, Na Meng and Daphne Yao from Virginia Tech published a paper investigating the Reproducibility of NPM Packages. The abstract includes:
When using open-source NPM packages, most developers download prebuilt packages on npmjs.com instead of building those packages from available source, and implicitly trust the downloaded packages. However, it is unknown whether the blindly trusted prebuilt NPM packages are reproducible (i.e., whether there is always a verifiable path from source code to any published NPM package). [ ] We downloaded versions/releases of 226 most popularly used NPM packages and then built each version with the available source on GitHub. Next, we applied a differencing tool to compare the versions we built against versions downloaded from NPM, and further inspected any reported difference.The paper reports that among the 3,390 versions of the 226 packages, only 2,087 versions are reproducible, and furthermore that multiple factors contribute to the non-reproducibility including flexible versioning information in package.json file and the divergent behaviors between distinct versions of tools used in the build process. The paper concludes with insights for future verifiable build procedures. Unfortunately, a PDF is not available publically yet, but a Digital Object Identifier (DOI) is available on the paper s IEEE page.
Elsewhere in academia, Betul Gokkaya, Leonardo Aniello and Basel Halak of the School of Electronics and Computer Science at the University of Southampton published a new paper containing a broad overview of attacks and comprehensive risk assessment for software supply chain security.
Their paper, titled Software supply chain: review of attacks, risk assessment strategies and security controls, analyses the most common software supply-chain attacks by providing the latest trend of analyzed attack, and identifies the security risks for open-source and third-party software supply chains. Furthermore, their study introduces unique security controls to mitigate analyzed cyber-attacks and risks by linking them with real-life security incidence and attacks . (arXiv.org, PDF)
NixOS is now tracking two new reports at reproducible.nixos.org. Aside from the collection of build-time dependencies of the minimal and Gnome installation ISOs, this page now also contains reports that are restricted to the artifacts that make it into the image. The minimal ISO is currently reproducible except for Python 3.10, which hopefully will be resolved with the coming update to Python version 3.11.
David A. Wheeler started a thread noting that the OSSGadget project s oss-reproducible tool was measuring something related to but not the same as reproducible builds. Initially they had adopted the term semantically reproducible build term for what it measured, which they defined as being if its build results can be either recreated exactly (a bit for bit reproducible build), or if the differences between the release package and a rebuilt package are not expected to produce functional differences in normal cases. This generated a significant number of replies, and several were concerned that people might confuse what they were measuring with reproducible builds . After discussion, the OSSGadget developers decided to switch to the term semantically equivalent for what they measured in order to reduce the risk of confusion.
Vagrant Cascadian (vagrantc) posted an update about GCC, binutils, and Debian s build-essential set with some progress, some hope, and I daresay, some fears .
Lastly, kpcyrd asked a question about building a reproducible Linux kernel package for Arch Linux (answered by Arnout Engelen). In the same, thread David A. Wheeler pointed out that the Linux Kernel documentation has a chapter about Reproducible kernel builds now as well.
In Debian this month, nine reviews of Debian packages were added, 20 were updated and 6 were removed this month, all adding to our knowledge about identified issues. In addition, Vagrant Cascadian added a link to the source code causing various ecbuild issues. [ ]
The F-Droid project updated its Inclusion How-To with a new section explaining why it considers reproducible builds to be best practice and hopes developers will support the team s efforts to make as many (new) apps reproducible as it reasonably can.
In diffoscope development this month, version 242 was uploaded to Debian unstable by Chris Lamb who also made the following changes:
binwalk is not available, ensure the user knows they may be missing more info. [ ]0.7.24 and 0.7.25 to Debian unstable which added support for Tox versions 3 and 4 with help from Vagrant Cascadian [ ][ ][ ]
mtools (forwarded upstream).lombok.lcov.lucene8.bnd.clc-intercal.proj.gcc-13.pygopherd.pytorch-audio.vcmi.proj.generateLocaleConfig in Android Gradle Plugin version 8.1.0 generates XML files using non-deterministic ordering, breaking reproducible builds. [ ]
The Reproducible Builds project operates a comprehensive testing framework (available at tests.reproducible-builds.org) in order to check packages and other artifacts for reproducibility. In May, a number of changes were made by Holger Levsen:
arm64 nodes only put required modules in the initrd to save space in the /boot partition. [ ]--fetch, --help, --no-future and --verbose options [ ][ ][ ][ ] as well as adding a suite of new actions, such as apt-upgrade, command, deploy-git, rmstamp, etc. [ ][ ][ ][ ] in addition a significant amount of refactoring [ ][ ][ ][ ].apt has updates to install. [ ]bind9-dnsutils on some Ubuntu 18.04 nodes. [ ][ ]apt upgrades are available. [ ]nocheck, nopgo and nolto when building gcc-* and binutils packages [ ] as well as performed some node maintenance [ ][ ]. In addition, Roland Clobus updated the openQA configuration to specify longer timeouts and access to the developer mode [ ] and updated the URL used for reproducible Debian Live images [ ].
#reproducible-builds on irc.oftc.net.
rb-general@lists.reproducible-builds.org
Welcome to the April 2023 report from the Reproducible Builds project!
In these reports we outline the most important things that we have been up to over the past month. And, as always, if you are interested in contributing to the project, please visit our Contribute page on our website.
Trisquel is a fully-free operating system building on the work of Ubuntu Linux. This month, Simon Josefsson published an article on his blog titled Trisquel is 42% Reproducible!. Simon wrote:
The absolute number may not be impressive, but what I hope is at least a useful contribution is that there actually is a number on how much of Trisquel is reproducible. Hopefully this will inspire others to help improve the actual metric.Simon wrote another blog post this month on a new tool to ensure that updates to Linux distribution archive metadata (eg. via
apt-get update) will only use files that have been recorded in a globally immutable and tamper-resistant ledger. A similar solution exists for Arch Linux (called pacman-bintrans) which was announced in August 2021 where an archive of all issued signatures is publically accessible.
[ ] the third reduction of the Guix bootstrap binaries has now been merged in the main branch of Guix! If you run guix pull today, you get a package graph of more than 22,000 nodes rooted in a 357-byte program something that had never been achieved, to our knowledge, since the birth of Unix.
More info about this change is available on the post itself, including:
The full-source bootstrap was once deemed impossible. Yet, here we are, building the foundations of a GNU/Linux distro entirely from source, a long way towards the ideal that the Guix project has been aiming for from the start.
There are still some daunting tasks ahead. For example, what about the Linux kernel? The good news is that the bootstrappable community has grown a lot, from two people six years ago there are now around 100 people in the #bootstrappable IRC channel.
Eleuther AI, a non-profit AI research group, recently unveiled Pythia, a collection of 16 Large Language Model (LLMs) trained on public data in the same order designed specifically to facilitate scientific research. According to a post on MarkTechPost:
Pythia is the only publicly available model suite that includes models that were trained on the same data in the same order [and] all the corresponding data and tools to download and replicate the exact training process are publicly released to facilitate further research.These properties are intended to allow researchers to understand how gender bias (etc.) can affected by training data and model scale.
alembic Debian package to build reproducibly. Although Chris Lamb was able to identify the source problem and provided a potential patch that might fix it, James Addison has taken the issue in hand, leading to a large amount of activity resulting in a proposed pull request that is waiting to be merged.
WireGuard is a popular Virtual Private Network (VPN) service that aims to be faster, simpler and leaner than other solutions to create secure connections between computing devices. According to a post on the WireGuard developer mailing list, the WireGuard Android app can now be built reproducibly so that its contents can be publicly verified. According to the post by Jason A. Donenfeld, the F-Droid project now does this verification by comparing their build of WireGuard to the build that the WireGuard project publishes. When they match, the new version becomes available. This is very positive news.
A software bill of materials (SBOM) is defined as a nested inventory for software, a list of ingredients that make up software components. When you receive a physical delivery of some sort, the bill of materials tells you what s inside the box. Similarly, when you use software created outside of your organisation, the SBOM tells you what s inside that software. The SBOM is a file that declares the software supply chain (SSC) for that specific piece of software. [ ]
#reproducible-builds IRC channel, but no solution appears to be in sight for now.
.zip file were different between two builds.
Holger Levsen gave a talk at foss-north 2023 in Gothenburg, Sweden on the topic of Reproducible Builds, the first ten years.
Lastly, there were a number of updates to our website, including:
: .lead appearing in the page [ ][ ][ ], made all the Back to who is involved links italics [ ], and corrected the syntax of the _data/sponsors.yml file [ ].
build-essential package set, which was inspired by how close we are to making the Debian build-essential set reproducible and how important that set of packages are in general . Vagrant mentioned that: I have some progress, some hope, and I daresay, some fears . [ ]
dinstalls that is to say, the snapshot service is not capturing 100% of all of historical states of the Debian archive. This is relevant to reproducibility because without the availability historical versions, it is becomes impossible to repeat a build at a future date in order to correlate checksums. .
build_path_in_line_annotations_added_by_ruby_ragel toolchain issue. [ ]
ghc (workaround a parallelism-related issue)ghc (report a parallelism-related issue)ruby-regexp-parser.pike8.0.binutils.lomiri-action-api.lomiri.nmodl.php8.2.qemu.twisted.boost1.74.php8.2.shaderc.jackd2.
diffoscope version 241 was uploaded to Debian unstable by Chris Lamb. It included contributions already covered in previous months as well a change by Chris Lamb to add a missing raise statement that was accidentally dropped in a previous commit. [ ]
The Reproducible Builds project operates a comprehensive testing framework (available at tests.reproducible-builds.org) in order to check packages and other artifacts for reproducibility. In April, a number of changes were made, including:
/tmp/archlinux-ci/ after three days. [ ][ ][ ]schroot sessions. [ ]stretch Debian distribution. [ ][ ][ ][ ]pyyaml 6.0 as present in Debian bookworm. [ ]#reproducible-builds on irc.oftc.net.
rb-general@lists.reproducible-builds.org
I do try not to report because right now every other day we see somewhere or the other the Govt. curtailing our rights and most people are mute
Signing out, till later
Anti-EV poster by Toyota
nc localhost <port>
Icy morning Witch Wells Az
hz.tools will be tagged
#hztools.librtlsdr to read in
an IQ stream, did some filtering, and played the real valued audio stream via
pulseaudio. Over 4 years this has slowly grown through persistence, lots of
questions to too many friends to thank (although I will try), and the eternal
patience of my wife hearing about radios nonstop for years into a number
of Go repos that can do quite a bit, and support a handful of radios.
I ve resisted making the repos public not out of embarrassment or a desire to
keep secrets, but rather, an attempt to keep myself free of any maintenance
obligations to users so that I could freely break my own API, add and remove
API surface as I saw fit. The worst case was to have this project feel like
work, and I can t imagine that will happen if I feel frustrated by PRs
that are getting ahead of me solving problems I didn t yet know about, or
bugs I didn t understand the fix for.
As my rate of changes to the most central dependencies has slowed, i ve begun
to entertain the idea of publishing them. After a bit of back and forth, I ve
decided
it s time to make a number of them public,
and to start working on them in the open, as I ve built up a bit of knowledge
in the space, and I and feel confident that the repo doesn t contain overt
lies. That s not to say it doesn t contain lies, but those lies are likely
hidden and lurking in the dark. Beware.
That being said, it shouldn t be a surprise to say I ve not published
everything yet for the same reasons as above. I plan to open repos as the
rate of changes slows and I understand the problems the library solves well
enough or if the project dead ends and I ve stopped learning.
),
and from time-to-time I ve made sure that my code runs on OpenBSD
too.
Platforms beyond that will likely not be supported at the expense of either
of those two. I ll take fixes for bugs that fix a problem on another
platform, but not damage the code to work around issues / lack of features
on other platforms (like Windows).hz.tools/rf library contains the abstract concept of frequency, and
some very basic helpers to interact with frequency ranges (such as helpers
to deal with frequency ranges, or frequency range math) as well as frequencies
and some very basic conversions (to meters, etc) and parsers (to parse values
like 10MHz). This ensures that all the hz.tools libraries have a shared
understanding of Frequencies, a standard way of representing ranges of
Frequencies, and the ability to handle the IO boundary with things like CLI
arguments, JSON or YAML.
The git repo can be found at
github.com/hztools/go-rf, and is
importable as hz.tools/rf.
// Parse a frequency using hz.tools/rf.ParseHz, and print it to stdout.
freq := rf.MustParseHz("-10kHz")
fmt.Printf("Frequency: %s\n", freq+rf.MHz)
// Prints: 'Frequency: 990kHz'
// Return the Intersection between two RF ranges, and print
// it to stdout.
r1 := rf.Range rf.KHz, rf.MHz
r2 := rf.Range rf.Hz(10), rf.KHz * 100
fmt.Printf("Range: %s\n", r1.Intersection(r2))
// Prints: Range: 1000Hz->100kHz
io idioms
so that this library feels as idiomatic as it can, so that Go builtins interact
with IQ in a way that s possible to reason about, and to avoid reinventing the
wheel by designing new API surface. While some of the API looks (and is even
called) the same thing as a similar function in io, the implementation is
usually a lot more naive, and may have unexpected sharp edges such as
concurrency issues or performance problems.
The following IQ types are implemented using the sdr.Samples interface. The
hz.tools/sdr package contains helpers for conversion between types, and some
basic manipulation of IQ streams.
| IQ Format | hz.tools Name | Underlying Go Type |
|---|---|---|
| Interleaved uint8 (rtl-sdr) | sdr.SamplesU8 |
[][2]uint8 |
| Interleaved int8 (hackrf, uhd) | sdr.SamplesI8 |
[][2]int8 |
| Interleaved int16 (pluto, uhd) | sdr.SamplesI16 |
[][2]int16 |
| Interleaved float32 (airspy, uhd) | sdr.SamplesC64 |
[]complex64 |
| SDR | Format | RX/TX | State |
|---|---|---|---|
| rtl | u8 | RX | Good |
| HackRF | i8 | RX/TX | Good |
| PlutoSDR | i16 | RX/TX | Good |
| rtl kerberos | u8 | RX | Old |
| uhd | i16/c64/i8 | RX/TX | Good |
| airspyhf | c64 | RX | Exp |
| Import | What is it? |
|---|---|
| hz.tools/sdr | Core IQ types, supporting types and implementations that interact with the byte boundary |
| hz.tools/sdr/rtl | sdr.Receiver implementation using librtlsdr. |
| hz.tools/sdr/rtl/kerberos | Helpers to enable coherent RX using the Kerberos SDR. |
| hz.tools/sdr/rtl/e4k | Helpers to interact with the E4000 RTL-SDR dongle. |
| hz.tools/sdr/fft | Interfaces for performing an FFT, which are implemented by other packages. |
| hz.tools/sdr/rtltcp | sdr.Receiver implementation for rtl_tcp servers. |
| hz.tools/sdr/pluto | sdr.Transceiver implementation for the PlutoSDR using libiio. |
| hz.tools/sdr/uhd | sdr.Transceiver implementation for UHD radios, specifically the B210 and B200mini |
| hz.tools/sdr/hackrf | sdr.Transceiver implementation for the HackRF using libhackrf. |
| hz.tools/sdr/mock | Mock SDR for testing purposes. |
| hz.tools/sdr/airspyhf | sdr.Receiver implementation for the AirspyHF+ Discovery with libairspyhf. |
| hz.tools/sdr/internal/simd | SIMD helpers for IQ operations, written in Go ASM. This isn t the best to learn from, and it contains pure go implemtnations alongside. |
| hz.tools/sdr/stream | Common Reader/Writer helpers that operate on IQ streams. |
hz.tools/fftw package contains bindings to libfftw3 to implement
the hz.tools/sdr/fft.Planner type to transform between the time and
frequency domain.
The git repo can be found at
github.com/hztools/go-fftw, and is
importable as hz.tools/fftw.
This is the default throughout most of my codebase, although that default is
only expressed at the leaf package libraries should not be hardcoding the
use of this library in favor of taking an fft.Planner, unless it s used as
part of testing. There are a bunch of ways to do an FFT out there, things like
clFFT or a pure-go FFT implementation could be plugged in depending on what s
being solved for.
hz.tools/fm and hz.tools/am packages contain demodulators for
AM analog radio, and FM analog radio. This code is a bit old, so it has
a lot of room for cleanup, but it ll do a very basic demodulation of IQ
to audio.
The git repos can be found at
github.com/hztools/go-fm and
github.com/hztools/go-am,
and are importable as
hz.tools/fm and
hz.tools/am.
As a bonus, the hz.tools/fm package also contains a modulator, which has been
tested on the air and with some of my handheld radios. This code is a bit
old, since the hz.tools/fm code is effectively the first IQ processing code
I d ever written, but it still runs and I run it from time to time.
// Basic sketch for playing FM radio using a reader stream from
// an SDR or other IQ stream.
bandwidth := 150*rf.KHz
reader, err = stream.ConvertReader(reader, sdr.SampleFormatC64)
if err != nil
...
demod, err := fm.Demodulate(reader, fm.DemodulatorConfig
Deviation: bandwidth / 2,
Downsample: 8, // some value here depending on sample rate
Planner: fftw.Plan,
)
if err != nil
...
speaker, err := pulseaudio.NewWriter(pulseaudio.Config
Format: pulseaudio.SampleFormatFloat32NE,
Rate: demod.SampleRate(),
AppName: "rf",
StreamName: "fm",
Channels: 1,
SinkName: "",
)
if err != nil
...
buf := make([]float32, 1024*64)
for
i, err := demod.Read(buf)
if err != nil
...
if i == 0
panic("...")
if err := speaker.Write(buf[:i]); err != nil
...
hz.tools/rfcap package is the reference implementation of the
rfcap spec , and is how I store IQ captures
locally, and how I send them across a byte boundary.
The git repo can be found at
github.com/hztools/go-rfcap, and is
importable as hz.tools/rfcap.
If you re interested in storing IQ in a way others can use, the better approach
is to use SigMF rfcap exists for cases
like using UNIX pipes to move IQ around, through APIs, or when I send
IQ data through an OS socket, to ensure the sample format (and other metadata)
is communicated with it.
rfcap has a number of limitations, for instance, it can not express a change
in frequency or sample rate during the capture, since the header is fixed at
the beginning of the file.
To achieve my goal of publishing one high-quality piece of writing per week this year, I ve put together a draft writing plan and a few organisational notes.
Please let me know what you think - what s missing? what would you like to read more/less of from me?
I aim for each piece of writing to generate discussion, inspire further writing, and raise my visibility and profile with potential customers and peers. Some of the writing will be opinion, but I expect a majority of it will take a learning by teaching approach - aiming to explain and present useful information to the reader while helping me learn more!
kubeadm install.
After passing the two corresponding certifications, my opinion on cloud operators is that it is very much a step back in the direction of proprietary software. You can rebuild their cloud stack with opensource components, but it is also a lot of integration work, similar to using the Linux from scratch distribution instead of something like Debian. A good middle point are the OpenShift and OKD Kubernetes distributions, who integrate the most common cloud components, but allow an installation on your own hardware or cloud provider of your choice.
| AWS | Azure | OpenShift | *OpenShift upstream project& |
|---|---|---|---|
| Cloud Trail | Kubernetes API Server audit log | Kubernetes | |
| Cloud Watch | Azure Monitor, Azure Log Analytics | OpenShift Monitoring | Prometheus, Kubernetes Metrics |
| AWS Artifact | Compliance Operator | OpenSCAP | |
| AWS Trusted Advisor | Azure Advisor | Insights | |
| AWS Marketplace | Red Hat Market place | Operator Hub | |
| AWS Identity and Access Management (IAM) | Azure Active Directory, Azure AD DS | Red Hat SSO | Keycloack |
| AWS Elastisc Beanstalk | Azure App Services | OpenShift Source2Image (S2I) | Source2Image (S2I) |
| AWS S3 | Azure Blob Storage** |
ODF Rados Gateway | Rook RGW |
| AWS Elastic Block Storage | Azure Disk Storage | ODF Rados Block Device | Rook RBD |
| AWS Elastic File System | Azure Files | ODF Ceph FS | Rook CephFS |
| AWS ELB Classic | Azure Load Balancer | MetalLB Operator | MetalLB |
| AWS ELB Application Load Balancer | Azure Application Gateway | OpenShift Router | HAProxy |
| Amazon Simple Notification Service | OpenShift Streams for Apache Kafka | Apache Kafka | |
| Amazon Guard Duty | Microsoft Defender for Cloud | API Server audit log review, ACS Runtime detection | Stackrox |
| Amazon Inspector | Microsoft Defender for Cloud | Quay.io container scanner, ACS Vulnerability Assessment | Clair, Stackrox |
| AWS Lambda | Azure Serverless | Openshift Serverless* |
Knative |
| AWS Key Management System | Azure Key Vault | could be done with Hashicorp Vault | Vault |
| AWS WAF | NGINX Ingress Controller Operator with ModSecurity | NGINX ModSecurity | |
| Amazon Elasticache | Redis Enterprise Operator | Redis, memcached as alternative | |
| AWS Relational Database Service | Azure SQL | Crunchy Data Operator | PostgreSQL |
| Azure Arc | OpenShift ACM | Open Cluster Management | |
| AWS Scaling Group | Azure Scale Set | OpenShift Autoscaler | OKD Autoscaler |
* OpenShift Serverless requires the application to be packaged as a container, something AWS Lambda does not require.
** Azure Blob Storage covers the object storage use case of S3, but is itself not S3 compatible
| Publisher: | Amazon Original Stories |
| Copyright: | August 2021 |
| ISBN: | 1-5420-3272-5 |
| ISBN: | 1-5420-3270-9 |
| ISBN: | 1-5420-3271-7 |
| ISBN: | 1-5420-3273-3 |
| ISBN: | 1-5420-3268-7 |
| ISBN: | 1-5420-3269-5 |
| Format: | Kindle |
| Pages: | 168 |
In my three most recent posts, I went over the memoirs and biographies, classics and fiction books that I enjoyed the most in 2022. But in the last of my book-related posts for 2022, I'll be going over my favourite works of non-fiction.
Books that just missed the cut here include Adam Hochschild's King Leopold's Ghost (1998) on the role of Leopold II of Belgium in the Congo Free State, Johann Hari's Stolen Focus (2022) (a personal memoir on relating to how technology is increasingly fragmenting our attention), Amia Srinivasan's The Right to Sex (2021) (a misleadingly named set of philosophic essays on feminism), Dana Heller et al.'s The Selling of 9/11: How a National Tragedy Became a Commodity (2005), John Berger's mindbending Ways of Seeing (1972) and Louise Richardson's What Terrorists Want (2006).
The Great War and Modern Memory (1975)
Wartime: Understanding and Behavior in the Second World War (1989)
Paul Fussell
Rather than describe the battles, weapons, geopolitics or big personalities of the two World Wars, Paul Fussell's The Great War and Modern Memory & Wartime are focused instead on how the two wars have been remembered by their everyday participants. Drawing on the memoirs and memories of soldiers and civilians along with a brief comparison with the actual events that shaped them, Fussell's two books are a compassionate, insightful and moving piece of analysis.
Fussell primarily sets himself against the admixture of nostalgia and trauma that obscures the origins and unimaginable experience of participating in these wars; two wars that were, in his view, a "perceptual and rhetorical scandal from which total recovery is unlikely." He takes particular aim at the dishonesty of hindsight:
For the past fifty years, the Allied war has been sanitised and romanticised almost beyond recognition by the sentimental, the loony patriotic, the ignorant and the bloodthirsty. I have tried to balance the scales. [And] in unbombed America especially, the meaning of the war [seems] inaccessible.The author does not engage in any of the customary rose-tinted view of war, yet he remains understanding and compassionate towards those who try to locate a reason within what was quite often senseless barbarism. If anything, his despondency and pessimism about the Second World War (the war that Fussell himself fought in) shines through quite acutely, and this is especially the case in what he chooses to quote from others:
"It was common [ ] throughout the [Okinawa] campaign for replacements to get hit before we even knew their names. They came up confused, frightened, and hopeful, got wounded or killed, and went right back to the rear on the route by which they had come, shocked, bleeding, or stiff. They were forlorn figures coming up to the meat grinder and going right back out of it like homeless waifs, unknown and faceless to us, like unread books on a shelf."It would take a rather heartless reader to fail to be sobered by this final simile, and an even colder one to view Fussell's citation of such an emotive anecdote to be manipulative. Still, stories and cruel ironies like this one infuse this often-angry book, but it is not without astute and shrewd analysis as well, especially on the many qualitative differences between the two conflicts that simply cannot be captured by facts and figures alone. For example:
A measure of the psychological distance of the Second [World] War from the First is the rarity, in 1914 1918, of drinking and drunkenness poems.Indeed so. In fact, what makes Fussell's project so compelling and perhaps even unique is that he uses these non-quantitive measures to try and take stock of what happened. After all, this was a war conducted by humans, not the abstract school of statistics. And what is the value of a list of armaments destroyed by such-and-such a regiment when compared with truly consequential insights into both how the war affected, say, the psychology of postwar literature ("Prolonged trench warfare, whether enacted or remembered, fosters paranoid melodrama, which I take to be a primary mode in modern writing."), the specific words adopted by combatants ("It is a truism of military propaganda that monosyllabic enemies are easier to despise than others") as well as the very grammar of interaction:
The Field Service Post Card [in WW1] has the honour of being the first widespread exemplary of that kind of document which uniquely characterises the modern world: the "Form". [And] as the first widely known example of dehumanised, automated communication, the post card popularised a mode of rhetoric indispensable to the conduct of later wars fought by great faceless conscripted armies.And this wouldn't be a book review without argument-ending observations that:
Indicative of the German wartime conception [of victory] would be Hitler and Speer's elaborate plans for the ultimate reconstruction of Berlin, which made no provision for a library.Our myths about the two world wars possess an undisputed power, in part because they contain an essential truth the atrocities committed by Germany and its allies were not merely extreme or revolting, but their full dimensions (embodied in the Holocaust and the Holodomor) remain essentially inaccessible within our current ideological framework. Yet the two wars are better understood as an abyss in which we were all dragged into the depths of moral depravity, rather than a battle pitched by the forces of light against the forces of darkness. Fussell is one of the few observers that can truly accept and understand this truth and is still able to speak to us cogently on the topic from the vantage point of experience. The Second World War which looms so large in our contemporary understanding of the modern world (see below) may have been necessary and unavoidable, but Fussell convinces his reader that it was morally complicated "beyond the power of any literary or philosophic analysis to suggest," and that the only way to maintain a na ve belief in the myth that these wars were a Manichaean fight between good and evil is to overlook reality. There are many texts on the two World Wars that can either stir the intellect or move the emotions, but Fussell's two books do both. A uniquely perceptive and intelligent commentary; outstanding.
Longitude (1995) Dava Sobel Since Man first decided to sail the oceans, knowing one's location has always been critical. Yet doing so reliably used to be a serious problem if you didn't know where you were, you are far more likely to die and/or lose your valuable cargo. But whilst finding one's latitude (ie. your north south position) had effectively been solved by the beginning of the 17th century, finding one's (east west) longitude was far from trustworthy in comparison. This book first published in 1995 is therefore something of an anachronism. As in, we readily use the GPS facilities of our phones today without hesitation, so we find it difficult to imagine a reality in which knowing something fundamental like your own location is essentially unthinkable. It became clear in the 18th century, though, that in order to accurately determine one's longitude, what you actually needed was an accurate clock. In Longitude, therefore, we read of the remarkable story of John Harrison and his quest to create a timepiece that would not only keep time during a long sea voyage but would survive the rough ocean conditions as well. Self-educated and a carpenter by trade, Harrison made a number of important breakthroughs in keeping accurate time at sea, and Longitude describes his novel breakthroughs in a way that is both engaging and without talking down to the reader. Still, this book covers much more than that, including the development of accurate longitude going hand-in-hand with advancements in cartography as well as in scientific experiments to determine the speed of light: experiments that led to the formulation of quantum mechanics. It also outlines the work being done by Harrison's competitors. 'Competitors' is indeed the correct word here, as Parliament offered a huge prize to whoever could create such a device, and the ramifications of this tremendous financial incentive are an essential part of this story. For the most part, though, Longitude sticks to the story of Harrison and his evolving obsession with his creating the perfect timepiece. Indeed, one reason that Longitude is so resonant with readers is that many of the tropes of the archetypical 'English inventor' are embedded within Harrison himself. That is to say, here is a self-made man pushing against the establishment of the time, with his groundbreaking ideas being underappreciated in his life, or dishonestly purloined by his intellectual inferiors. At the level of allegory, then, I am minded to interpret this portrait of Harrison as a symbolic distillation of postwar Britain a nation acutely embarrassed by the loss of the Empire that is now repositioning itself as a resourceful but plucky underdog; a country that, with a combination of the brains of boffins and a healthy dose of charisma and PR, can still keep up with the big boys. (It is this same search for postimperial meaning I find in the fiction of John le Carr , and, far more famously, in the James Bond franchise.) All of this is left to the reader, of course, as what makes Longitute singularly compelling is its gentle manner and tone. Indeed, at times it was as if the doyenne of sci-fi Ursula K. LeGuin had a sideline in popular non-fiction. I realise it's a mark of critical distinction to downgrade the importance of popular science in favour of erudite academic texts, but Latitude is ample evidence that so-called 'pop' science need not be patronising or reductive at all.
Closed Chambers: The Rise, Fall, and Future of the Modern Supreme Court (1998) Edward Lazarus After the landmark decision by the U.S. Supreme Court in *Dobbs v. Jackson Women's Health Organization that ended the Constitutional right to abortion conferred by Roe v Wade, I prioritised a few books in the queue about the judicial branch of the United States. One of these books was Closed Chambers, which attempts to assay, according to its subtitle, "The Rise, Fall and Future of the Modern Supreme Court". This book is not merely simply a learned guide to the history and functioning of the Court (although it is completely creditable in this respect); it's actually an 'insider' view of the workings of the institution as Lazurus was a clerk for Justice Harry Blackmun during the October term of 1988. Lazarus has therefore combined his experience as a clerk and his personal reflections (along with a substantial body of subsequent research) in order to communicate the collapse in comity between the Justices. Part of this book is therefore a pure history of the Court, detailing its important nineteenth-century judgements (such as Dred Scott which ruled that the Constitution did not consider Blacks to be citizens; and Plessy v. Ferguson which failed to find protection in the Constitution against racial segregation laws), as well as many twentieth-century cases that touch on the rather technical principle of substantive due process. Other layers of Lazurus' book are explicitly opinionated, however, and they capture the author's assessment of the Court's actions in the past and present [1998] day. Given the role in which he served at the Court, particular attention is given by Lazarus to the function of its clerks. These are revealed as being far more than the mere amanuenses they were hitherto believed to be. Indeed, the book is potentially unique in its the claim that the clerks have played a pivotal role in the deliberations, machinations and eventual rulings of the Court. By implication, then, the clerks have plaedy a crucial role in the internal controversies that surround many of the high-profile Supreme Court decisions decisions that, to the outsider at least, are presented as disinterested interpretations of Constitution of the United States. This is of especial importance given that, to Lazarus, "for all the attention we now pay to it, the Court remains shrouded in confusion and misunderstanding." Throughout his book, Lazarus complicates the commonplace view that the Court is divided into two simple right vs. left political factions, and instead documents an ever-evolving series of loosely held but strongly felt series of cabals, quid pro quo exchanges, outright equivocation and pure personal prejudices. (The age and concomitant illnesses of the Justices also appears to have a not insignificant effect on the Court's rulings as well.) In other words, Closed Chambers is not a book that will be read in a typical civics class in America, and the only time the book resorts to the customary breathless rhetoric about the US federal government is in its opening chapter:
The Court itself, a Greek-style temple commanding the crest of Capitol Hill, loomed above them in the dim light of the storm. Set atop a broad marble plaza and thirty-six steps, the Court stands in splendid isolation appropriate to its place at the pinnacle of the national judiciary, one of the three independent and "coequal" branches of American government. Once dubbed the Ivory Tower by architecture critics, the Court has a Corinthian colonnade and massive twenty-foot-high bronze doors that guard the single most powerful judicial institution in the Western world. Lights still shone in several offices to the right of the Court's entrance, and [ ]Et cetera, et cetera. But, of course, this encomium to the inherent 'nobility' of the Supreme Court is quickly revealed to be a narrative foil, as Lazarus soon razes this dangerously na ve conception to the ground:
[The] institution is [now] broken into unyielding factions that have largely given up on a meaningful exchange of their respective views or, for that matter, a meaningful explication or defense of their own views. It is of Justices who in many important cases resort to transparently deceitful and hypocritical arguments and factual distortions as they discard judicial philosophy and consistent interpretation in favor of bottom-line results. This is a Court so badly splintered, yet so intent on lawmaking, that shifting 5-4 majorities, or even mere pluralities, rewrite whole swaths of constitutional law on the authority of a single, often idiosyncratic vote. It is also a Court where Justices yield great and excessive power to immature, ideologically driven clerks, who in turn use that power to manipulate their bosses and the institution they ostensibly serve.Lazurus does not put forward a single, overarching thesis, but in the final chapters, he does suggest a potential future for the Court:
In the short run, the cure for what ails the Court lies solely with the Justices. It is their duty, under the shield of life tenure, to recognize the pathologies affecting their work and to restore the vitality of American constitutionalism. Ultimately, though, the long-term health of the Court depends on our own resolve on whom [we] select to join that institution.Back in 1998, Lazurus might have had room for this qualified optimism. But from the vantage point of 2022, it appears that the "resolve" of the United States citizenry was not muscular enough to meet his challenge. After all, Lazurus was writing before Bush v. Gore in 2000, which arrogated to the judicial branch the ability to decide a presidential election; the disillusionment of Barack Obama's failure to nominate a replacement for Scalia; and many other missteps in the Court as well. All of which have now been compounded by the Trump administration's appointment of three Republican-friendly justices to the Court, including hypocritically appointing Justice Barrett a mere 38 days before the 2020 election. And, of course, the leaking and ruling in Dobbs v. Jackson, the true extent of which has not been yet. Not of a bit of this is Lazarus' fault, of course, but the Court's recent decisions (as well as the liberal hagiographies of 'RBG') most perforce affect one's reading of the concluding chapters. The other slight defect of Closed Chambers is that, whilst it often implies the importance of the federal and state courts within the judiciary, it only briefly positions the Supreme Court's decisions in relation to what was happening in the House, Senate and White House at the time. This seems to be increasingly relevant as time goes on: after all, it seems fairly clear even to this Brit that relying on an activist Supreme Court to enact progressive laws must be interpreted as a failure of the legislative branch to overcome the perennial problems of the filibuster, culture wars and partisan bickering. Nevertheless, Lazarus' book is in equal parts ambitious, opinionated, scholarly and dare I admit it? wonderfully gossipy. By juxtaposing history, memoir, and analysis, Closed Chambers combines an exacting evaluation of the Court's decisions with a lively portrait of the intellectual and emotional intensity that has grown within the Supreme Court's pseudo-monastic environment all while it struggles with the most impactful legal issues of the day. This book is an excellent and well-written achievement that will likely never be repeated, and a must-read for anyone interested in this ever-increasingly important branch of the US government.
Crashed: How a Decade of Financial Crises Changed the World (2018)
Shutdown: How Covid Shook the World's Economy (2021)
Adam Tooze
The economic historian Adam Tooze has often been labelled as an unlikely celebrity, but in the fourteen years since the global financial crisis of 2008, a growing audience has been looking for answers about the various failures of the modern economy. Tooze, a professor of history at New York's Columbia University, has written much that is penetrative and thought-provoking on this topic, and as a result, he has generated something of a cult following amongst economists, historians and the online left.
I actually read two Tooze books this year. The first, Crashed (2018), catalogues the scale of government intervention required to prop up global finance after the 2008 financial crisis, and it characterises the different ways that countries around the world failed to live up to the situation, such as doing far too little, or taking action far too late. The connections between the high-risk subprime loans, credit default swaps and the resulting liquidity crisis in the US in late 2008 is fairly well known today in part thanks to films such as Adam McKay's 2015 The Big Short and much improved economic literacy in media reportage. But Crashed makes the implicit claim that, whilst the specific and structural origins of the 2008 crisis are worth scrutinising in exacting detail, it is the reaction of states in the months and years after the crash that has been overlooked as a result.
After all, this is a reaction that has not only shaped a new economic order, it has created one that does not fit any conventional idea about the way the world 'ought' to be run. Tooze connects the original American banking crisis to the (multiple) European debt crises with a larger crisis of liberalism. Indeed, Tooze somehow manages to cover all these topics and more, weaving in Trump, Brexit and Russia's 2014 annexation of Crimea, as well as the evolving role of China in the post-2008 economic order.
Where Crashed focused on the constellation of consequences that followed the events of 2008, Shutdown is a clear and comprehensive account of the way the world responded to the economic impact of Covid-19. The figures are often jaw-dropping: soon after the disease spread around the world, 95% of the world's economies contracted simultaneously, and at one point, the global economy shrunk by approximately 20%. Tooze's keen and sobering analysis of what happened is made all the more remarkable by the fact that it came out whilst the pandemic was still unfolding. In fact, this leads quickly to one of the book's few flaws: by being published so quickly, Shutdown prematurely over-praises China's 'zero Covid' policy, and these remarks will make a reader today squirm in their chair. Still, despite the regularity of these references (after all, mentioning China is very useful when one is directly comparing economic figures in early 2021, for examples), these are actually minor blemishes on the book's overall thesis.
That is to say, Crashed is not merely a retelling of what happened in such-and-such a country during the pandemic; it offers in effect a prediction about what might be coming next. Whilst the economic responses to Covid averted what could easily have been another Great Depression (and thus showed it had learned some lessons from 2008), it had only done so by truly discarding the economic rule book. The by-product of inverting this set of written and unwritten conventions that have governed the world for the past 50 years, this 'Washington consensus' if you well, has yet to be fully felt.
Of course, there are many parallels between these two books by Tooze. Both the liquidity crisis outlined in Crashed and the economic response to Covid in Shutdown exposed the fact that one of the central tenets of the modern economy ie. that financial markets can be trusted to regulate themselves was entirely untrue, and likely was false from the very beginning. And whilst Adam Tooze does not offer a singular piercing insight (conveying a sense of rigorous mastery instead), he may as well be asking whether we're simply going to lurch along from one crisis to the next, relying on the technocrats in power to fix problems when everything blows up again. The answer may very well be yes.
Looking for the Good War: American Amnesia and the Violent Pursuit of Happiness (2021) Elizabeth D. Samet Elizabeth D. Samet's Looking for the Good War answers the following question what would be the result if you asked a professor of English to disentangle the complex mythology we have about WW2 in the context of the recent US exit of Afghanistan? Samet's book acts as a twenty-first-century update of a kind to Paul Fussell's two books (reviewed above), as well as a deeper meditation on the idea that each new war is seen through the lens of the previous one. Indeed, like The Great War and Modern Memory (1975) and Wartime (1989), Samet's book is a perceptive work of demystification, but whilst Fussell seems to have been inspired by his own traumatic war experience, Samet is not only informed by her teaching West Point military cadets but by the physical and ontological wars that have occurred during her own life as well. A more scholarly and dispassionate text is the result of Samet's relative distance from armed combat, but it doesn't mean Looking for the Good War lacks energy or inspiration. Samet shares John Adams' belief that no political project can entirely shed the innate corruptions of power and ambition and so it is crucial to analyse and re-analyse the role of WW2 in contemporary American life. She is surely correct that the Second World War has been universally elevated as a special, 'good' war. Even those with exceptionally giddy minds seem to treat WW2 as hallowed:
It is nevertheless telling that one of the few occasions to which Trump responded with any kind of restraint while he was in office was the 75th anniversary of D-Day in 2019.What is the source of this restraint, and what has nurtured its growth in the eight decades since WW2 began? Samet posits several reasons for this, including the fact that almost all of the media about the Second World War is not only suffused with symbolism and nostalgia but, less obviously, it has been made by people who have no experience of the events that they depict. Take Stephen Ambrose, author of Steven Spielberg's Band of Brothers miniseries: "I was 10 years old when the war ended," Samet quotes of Ambrose. "I thought the returning veterans were giants who had saved the world from barbarism. I still think so. I remain a hero worshiper." If Looking for the Good War has a primary thesis, then, it is that childhood hero worship is no basis for a system of government, let alone a crusading foreign policy. There is a straight line (to quote this book's subtitle) from the "American Amnesia" that obscures the reality of war to the "Violent Pursuit of Happiness." Samet's book doesn't merely just provide a modern appendix to Fussell's two works, however, as it adds further layers and dimensions he overlooked. For example, Samet provides some excellent insight on the role of Western, gangster and superhero movies, and she is especially good when looking at noir films as a kind of kaleidoscopic response to the Second World War:
Noir is a world ruled by bad decisions but also by bad timing. Chance, which plays such a pivotal role in war, bleeds into this world, too.Samet rightfully weaves the role of women into the narrative as well. Women in film noir are often celebrated as 'independent' and sassy, correctly reflecting their newly-found independence gained during WW2. But these 'liberated' roles are not exactly a ringing endorsement of this independence: the 'femme fatale' and the 'tart', etc., reflect a kind of conditional freedom permitted to women by a post-War culture which is still wedded to an outmoded honour culture. In effect, far from being novel and subversive, these roles for women actually underwrote the ambient cultural disapproval of women's presence in the workforce. Samet later connects this highly-conditional independence with the liberation of Afghan women, which:
is inarguably one of the more palatable outcomes of our invasion, and the protection of women's rights has been invoked on the right and the left as an argument for staying the course in Afghanistan. How easily consequence is becoming justification. How flattering it will be one day to reimagine it as original objective.Samet has ensured her book has a predominantly US angle as well, for she ends her book with a chapter on the pseudohistorical Lost Cause of the Civil War. The legacy of the Civil War is still visible in the physical phenomena of Confederate statues, but it also exists in deep-rooted racial injustice that has been shrouded in euphemism and other psychological devices for over 150 years. Samet believes that a key part of what drives the American mythology about the Second World War is the way in which it subconsciously cleanses the horrors of brother-on-brother murder that were seen in the Civil War. This is a book that is not only of interest to historians of the Second World War; it is a work for anyone who wishes to understand almost any American historical event, social issue, politician or movie that has appeared since the end of WW2. That is for better or worse everyone on earth.
This post marks the beginning my yearly roundups of the favourite books and movies that I read and watched in 2022 that I plan to publish over the next few days.
Just as I did for 2020 and 2021, I won't reveal precisely how many books I read in the last year. I didn't get through as many books as I did in 2021, though, but that's partly due to reading a significant number of long nineteenth-century novels in particular, a fair number of those books that American writer Henry James once referred to as "large, loose, baggy monsters."
However, in today's post I'll be looking at my favourite books that are typically filed under fiction, with 'classic' fiction following tomorrow.
Works that just missed the cut here include John O'Brien's Leaving Las Vegas, Colson Whitehead's Sag Harbor and possibly The Name of the Rose by Umberto Eco, or Elif Batuman's The Idiot. I also feel obliged to mention (or is that show off?) that I also read the 1,079-page Infinite Jest by David Foster Wallace, but I can't say it was a favourite, let alone recommend others unless they are in the market for a good-quality under-monitor stand.
Mona (2021) Pola Oloixarac Mona is the story of a young woman who has just been nominated for the 'most important literary award in Europe'. Mona sees the nomination as a chance to escape her substance abuse on a Californian campus and so speedily decamps to the small village in the depths of Sweden where the nominees must convene for a week before the overall winner is announced. Mona didn't disappear merely to avoid pharmacological misadventures, though, but also to avoid the growing realisation that she is being treated as something of an anthropological curiosity at her university: a female writer of colour treasured for her flourish of exotic diversity that reflects well upon her department. But Mona is now stuck in the company of her literary competitors who all have now gathered from around the world in order to do what writers do: harbour private resentments, exchange empty flattery, embody the selfsame racialised stereotypes that Mona left the United States to avoid, stab rivals in the back, drink too much, and, of course, go to bed together. But as I read Mona, I slowly started to realise that something else is going on. Why does Mona keep finding traces of violence on her body, the origins of which she cannot or refuses to remember? There is something eerily defensive about her behaviour and sardonic demeanour in general as well. A genre-bending and mind-expanding novel unfolded itself, and, without getting into spoiler territory, Mona concludes with such a surprising ending that, according to Adam Thirlwell:
Perhaps we need to rethink what is meant by a gimmick. If a gimmick is anything that we want to reject as extra or excessive or ill-fitting, then it may be important to ask what inhibitions or arbitrary conventions have made it seem like excess, and to revel in the exorbitant fictional constructions it produces. [...]Mona is a savage satire of the literary world, but it's also a very disturbing exploration of trauma and violence. The success of the book comes in equal measure from the author's commitment to both ideas, but also from the way the psychological damage component creeps up on you. And, as implied above, the last ten pages are quite literally out of this world.
My Brilliant Friend (2011)
The Story of a New Name (2012)
Those Who Leave and Those Who Stay (2013)
The Story of the Lost Child (2014)
Elena Ferrante
Elena Ferrante's Neopolitan Quartet follows two girls, both brilliant in their own way. Our protagonist-narrator is Elena, a studious girl from the lower rungs of the middle class of Naples who is inspired to be more by her childhood friend, Lila. Lila is, in turn, far more restricted by her poverty and class, but can transcend it at times through her fiery nature, which also brands her as somewhat unique within their inward-looking community. The four books follow the two girls from the perspective of Elena as they grow up together in post-war Italy, where they drift in-and-out of each other's lives due to the vicissitudes of change and the consequences of choice. All the time this is unfolding, however, the narrative is very always slightly charged by the background knowledge revealed on the very first page that Lila will, many years later, disappear from Elena's life.
Whilst the quartet has the formal properties of a bildungsroman, its subject and conception are almost entirely different. In particular, the books are driven far more by character and incident than spectacular adventures in picturesque Italy. In fact, quite the opposite takes place: these are four books where ordinary-seeming occurrences take on an unexpected radiance against a background of poverty, ignorance, violence and other threats, often bringing to mind the films of the Italian neorealism movement. Brilliantly rendered from beginning to end, Ferrante has a seemingly studious eye for interpreting interactions and the psychology of adolescence and friendship. Some utterances indeed, perhaps even some glances are dissected at length over multiple pages, something that Vittorio De Sica's classic Bicycle Thieves (1948) could never do.
Potential readers should not take any notice of the saccharine cover illustrations on most editions of the books. The quartet could even win an award for the most misleading artwork, potentially rivalling even Vladimir Nabokov's Lolita. I wouldn't be at all surprised if it is revealed that the drippy illustrations and syrupy blurbs ("a rich, intense and generous-hearted story ") turn out to be part of a larger metatextual game that Ferrante is playing with her readers. This idiosyncratic view of mine is partially supported by the fact that each of the four books has been given a misleading title, the true ambiguity of which often only becomes clear as each of the four books comes into sharper focus.
Readers of the quartet often fall into debating which is the best of the four. I've heard from more than one reader that one has 'too much Italian politics' and another doesn't have enough 'classic' Lina moments. The first book then possesses the twin advantages of both establishing the environs and finishing with a breathtaking ending that is both satisfying and a cliffhanger as well but does this make it 'the best'? I prefer to liken the quartet more like the different seasons of The Wire (2002-2008) where, personal favourites and preferences aside, although each season is undoubtedly unique, it would take a certain kind of narrow-minded view of art to make the claim that, say, series one of The Wire is 'the best' or that the season that focuses on the Baltimore docks 'is boring'. Not to sound like a neo-Wagnerian, but each of them adds to final result in its own. That is to say, both The Wire and the Neopolitan Quartet achieve the rare feat of making the magisterial simultaneously intimate.
Out There: Stories (2022) Kate Folk Out There is a riveting collection of disturbing short stories by first-time author Kate Fork. The title story first appeared in the New Yorker in early 2020 imagines a near-future setting where a group of uncannily handsome artificial men called 'blots' have arrived on the San Francisco dating scene with the secret mission of sleeping with women, before stealing their personal data from their laptops and phones and then (quite literally) evaporating into thin air. Folk's satirical style is not at all didactic, so it rarely feels like she is making her points in a pedantic manner. But it's clear that the narrator of Out There is recounting her frustration with online dating. in a way that will resonate with anyone who s spent time with dating apps or indeed the contemporary hyper-centralised platform-based internet in general. Part social satire, part ghost story and part comic tales, the blurring of the lines between these factors is only one of the things that makes these stories so compelling. But whilst Folk constructs crazy scenarios and intentionally strange worlds, she also manages to also populate them with characters that feel real and genuinely sympathetic. Indeed, I challenge you not to feel some empathy for the 'blot' in the companion story Big Sur which concludes the collection, and it complicates any primary-coloured view of the dating world of consisting entirely of predatory men. And all of this is leavened with a few stories that are just plain surreal. I don't know what the deal is with Dating a Somnambulist (available online on Hobart Pulp), but I know that I like it.
Solaris (1961) Stanislaw Lem When Kelvin arrives at the planet Solaris to study the strange ocean that covers its surface, instead of finding an entirely physical scientific phenomenon, he soon discovers a previously unconscious memory embodied in the physical manifestation of a long-dead lover. The other scientists on the space station slowly reveal that they are also plagued with their own repressed corporeal memories. Many theories are put forward as to why all this is occuring, including the idea that Solaris is a massive brain that creates these incarnate memories. Yet if that is the case, the planet's purpose in doing so is entirely unknown, forcing the scientists to shift focus and wonder whether they can truly understand the universe without first understanding what lies within their own minds and in their desires. This would be an interesting outline for any good science fiction book, but one of the great strengths of Solaris is not only that it withholds from the reader why the planet is doing anything it does, but the book is so forcefully didactic in its dislike of the hubris, destructiveness and colonial thinking that can accompany scientific exploration. In one of its most vitriolic passages, Lem's own anger might be reaching out to the reader:
We are humanitarian and chivalrous; we don t want to enslave other races, we simply want to bequeath them our values and take over their heritage in exchange. We think of ourselves as the Knights of the Holy Contact. This is another lie. We are only seeking Man. We have no need of other worlds. We need mirrors. We don t know what to do with other worlds. A single world, our own, suffices us; but we can t accept it for what it is. We are searching for an ideal image of our own world: we go in quest of a planet, of a civilisation superior to our own, but developed on the basis of a prototype of our primaeval past. At the same time, there is something inside us that we don t like to face up to, from which we try to protect ourselves, but which nevertheless remains since we don t leave Earth in a state of primal innocence. We arrive here as we are in reality, and when the page is turned, and that reality is revealed to us that part of our reality that we would prefer to pass over in silence then we don t like it anymore.An overwhelming preoccupation with this idea infuses Solaris, and it turns out to be a common theme in a lot of Lem's work of this period, such as in his 1959 'anti-police procedural' The Investigation. Perhaps it not a dislike of exploration in general or the modern scientific method in particular, but rather a savage critique of the arrogance and self-assuredness that accompanies most forms of scientific positivism, or at least pursuits that cloak themselves under the guise of being a laudatory 'scientific' pursuit:
Man has gone out to explore other worlds and other civilizations without having explored his own labyrinth of dark passages and secret chambers and without finding what lies behind doorways that he himself has sealed.I doubt I need to cite specific instances of contemporary scientific pursuits that might meet Lem's punishing eye today, and the fact that his critique works both in 2022 and 1961 perhaps tells us more about the human condition than we'd care to know. Another striking thing about Solaris isn't just the specific Star Trek and Stargate SG-1 episodes that I retrospectively realised were purloined from the book, but that almost the entire register of Star Trek: The Next Generation in particular seems to be rehearsed here. That is to say, TNG presents itself as hard and fact-based 'sci-fi' on the surface, but, at its core, there are often human, existential and sometimes quite enormously emotionally devastating human themes being discussed such as memory, loss and grief. To take one example from many, the painful memories that the planet Solaris physically materialises in effect asks us to seriously consider what it actually is taking place when we 'love' another person: is it merely another 'mirror' of ourselves? (And, if that is the case, is that... bad?) It would be ahistorical to claim that all popular science fiction today can be found rehearsed in Solaris, but perhaps it isn't too much of a stretch:
[Solaris] renders unnecessary any more alien stories. Nothing further can be said on this topic ...] Possibly, it can be said that when one feels the urge for such a thing, one should simply reread Solaris and learn its lessons again. Kim Stanley Robinson [...]I could go on praising this book for quite some time; perhaps by discussing the extreme framing devices used within the book at one point, the book diverges into a lengthy bibliography of fictional books-within-the-book, each encapsulating a different theory about what the mechanics and/or function of Solaris is, thereby demonstrating that 'Solaris studies' as it is called within the world of the book has been going on for years with no tangible results, which actually leads to extreme embarrassment and then a deliberate and willful blindness to the 'Solaris problem' on the part of the book's scientific community. But I'll leave it all here before this review gets too long... Highly recommended, and a likely reread in 2023.
Brokeback Mountain (1997) Annie Proulx Brokeback Mountain began as a short story by American author Annie Proulx which appeared in the New Yorker in 1997, although it is now more famous for the 2005 film adaptation directed by Taiwanese filmmaker Ang Lee. Both versions follow two young men who are hired for the summer to look after sheep at a range under the 'Brokeback' mountain in Wyoming. Unexpectedly, however, they form an intense emotional and sexual attachment, yet life intervenes and demands they part ways at the end of the summer. Over the next twenty years, though, as their individual lives play out with marriages, children and jobs, they continue reuniting for brief albeit secret liaisons on camping trips in remote settings. There's no feigned shyness or self-importance in Brokeback Mountain, just a close, compassionate and brutally honest observation of a doomed relationship and a bone-deep feeling for the hardscrabble life in the post-War West. To my mind, very few books have captured so acutely the desolation of a frustrated and repressed passion, as well as the particular flavour of undirected anger that can accompany this kind of yearning. That the original novella does all this in such a beautiful way (and without the crutch of the Wyoming landscape to look at ) is a tribute to Proulx's skills as a writer. Indeed, even without the devasting emotional undertones, Proulx's descriptions of the mountains and scree of the West is likely worth the read alone.
Luster (2020) Raven Leilani Edie is a young Black woman living in New York whose life seems to be spiralling out of control. She isn't good at making friends, her career is going nowhere, and she has no close family to speak of as well. She is, thus, your typical NYC millennial today, albeit seen through a lens of Blackness that complicates any reductive view of her privilege or minority status. A representative paragraph might communicate the simmering tone:
Before I start work, I browse through some photos of friends who are doing better than me, then an article on a black teenager who was killed on 115th for holding a weapon later identified as a showerhead, then an article on a black woman who was killed on the Grand Concourse for holding a weapon later identified as a cell phone, then I drown myself in the comments section and do some online shopping, by which I mean I put four dresses in my cart as a strictly theoretical exercise and then let the page expire.She starts a sort-of affair with an older white man who has an affluent lifestyle in nearby New Jersey. Eric or so he claims has agreed upon an 'open relationship' with his wife, but Edie is far too inappropriate and disinhibited to respect any boundaries that Eric sets for her, and so Edie soon becomes deeply entangled in Eric's family life. It soon turns out that Eric and his wife have a twelve-year-old adopted daughter, Akila, who is also wait for it Black. Akila has been with Eric's family for two years now and they aren t exactly coping well together. They don t even know how to help her to manage her own hair, let alone deal with structural racism. Yet despite how dark the book's general demeanour is, there are faint glimmers of redemption here and there. Realistic almost to the end, Edie might finally realise what s important in her life, but it would be a stretch to say that she achieves them by the final page. Although the book is full of acerbic remarks on almost any topic (Dogs: "We made them needy and physically unfit. They used to be wolves, now they are pugs with asthma."), it is the comments on contemporary race relations that are most critically insightful. Indeed, unsentimental, incisive and funny, Luster had much of what I like in Colson Whitehead's books at times, but I can't remember a book so frantically fast-paced as this since the Booker-prize winning The Sellout by Paul Beatty or Sam Tallent's Running the Light.
| Series: | Magic of the Lost #1 |
| Publisher: | Orbit |
| Copyright: | March 2021 |
| ISBN: | 0-316-54267-9 |
| Format: | Kindle |
| Pages: | 490 |
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